Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Lucas Cranach the Elder
Torgauer Furstenaltar

ID: 93724

Lucas Cranach the Elder Torgauer Furstenaltar
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Lucas Cranach the Elder Torgauer Furstenaltar


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Lucas Cranach the Elder

b. 1472, Kronach, d. 1553, Weimar. German painter and printmaker. He took his name from the town of his birth. Little is known about his early life or training. In Vienna (c. 1501 ?C 04) he painted some notable portraits and landscapes characteristic of the Danube school. From 1505 to 1550 he was court painter in Wittenberg, where he achieved great success and wealth painting portraits, mythological subjects, and altarpieces for Protestant and Catholic churches. He attracted so many young artists to Wittenberg that the town became an art centre. A friend of Martin Luther, Cranach became known as the chief pictorial propagandist of the Protestant cause in Germany. He produced numerous engravings and more than 100 woodcuts, notably for the first German edition of the New Testament (1522). After his death, his style was perpetuated by his son, Lucas the Younger (1515 C 86).  Related Paintings of Lucas Cranach the Elder :. | Venus | Venus and Cupid Carrying a Honeycomb | The Judgment of Paris | Die Bezahlung | Venus and Cupid |
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Arthur William Devis
(10 August 1762 - 11 February 1822) was an English painter of history paintings and portraits. He was appointed draughtsman in a voyage projected by the East India Company in 1783, under Captain Henry Wilson, in which he was wrecked on the Pelew Islands before proceeding to Canton and thence to Bengal. He painted portraits and historical subjects, sixty-five of which he exhibited (1779-1821) at the Royal Academy.
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Italian Early Renaissance Painter, ca.1300-1366 Italian painter active in Florence. He was the son of a painter and mosaicist and a student of Giotto. His best-known works are frescoes in the church of Santa Croce in Florence. He directed a flourishing workshop for three decades, producing pictures in the style of Giotto but featuring more vivid picturesque effects with narrative detail. His son and pupil Agnolo (c. 1350 C 96) was an influential and prolific artist who likewise produced a notable series of frescoes for Santa Croce, The Legend of the True Cross






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